Although their role will probably always be less celebrated than
wars, marches, riots or stormy political campaigns, it is books that
have at times most powerfully influenced social change in American
life. Thomas Paine's Common Sense galvanized radical
sentiment in the early days of the American revolution; Uncle
Tom's Cabin by Harriet Beecher Stowe roused Northern antipathy
to slavery in the decade leading up to the Civil War; and Rachel
Carson's Silent Spring, which in 1962 exposed the hazards of
the pesticide DDT, eloquently questioned humanity's faith in
technological progress and helped set the stage for the
environmental movement.
Carson, a renowned nature author and a former marine biologist
with the U.S. Fish and Wildlife Service, was uniquely equipped to
create so startling and inflammatory a book. A native of rural
Pennsylvania, she had grown up with an enthusiasm for nature matched
only by her love of writing and poetry. The educational brochures
she wrote for the Fish and Wildlife Service, as well as her
published books and magazine articles, were characterized by
meticulous research and a poetic evocation of her subject.
"Things Go Out of Kilter"
Carson was happiest writing about the strength and resilience of
natural systems. Her books Under the Sea Wind, The Sea Around
Us (which stayed on the New York Times bestseller list
for 86 weeks), and The Edge of The Sea were hymns to the
inter-connectedness of nature and all living things. Although she
rarely used the term, Carson held an ecological view of nature,
describing in precise yet poetic language the complex web of life
that linked mollusks to sea-birds to the fish swimming in the
ocean's deepest and most inaccessible reaches.
DDT, the most powerful pesticide the world had ever known,
exposed nature's vulnerability. Unlike most pesticides, whose
effectiveness is limited to destroying one or two types of insects,
DDT was capable of killing hundreds of different kinds at once.
Developed in 1939, it first distinguished itself during World War
II, clearing South Pacific islands of malaria-causing insects for
U.S. troops, while in Europe being used as an effective de-lousing
powder. Its inventor was awarded the Nobel Prize.
When DDT became available for civilian use in 1945, there were
only a few people who expressed second thoughts about this new
miracle compound. One was nature writer Edwin Way Teale, who warned,
"A spray as indiscriminate as DDT can upset the economy of nature as
much as a revolution upsets social economy. Ninety percent of all
insects are good, and if they are killed, things go out of kilter
right away." Another was Rachel Carson, who wrote to the Reader's
Digest to propose an article about a series of tests on DDT
being conducted not far from where she lived in Maryland. The
magazine rejected the idea.
Silent Spring
Thirteen years later, in 1958, Carson's interest in writing about
the dangers of DDT was rekindled when she received a letter from a
friend in Massachusetts bemoaning the large bird kills which had
occured on Cape Cod as the result of DDT sprayings. The use of DDT
had proliferated greatly since 1945 and Carson again tried,
unsuccessfully, to interest a magazine in assigning her the story of
its less desirable effects. By 1958 Carson was a best-selling
author, and the fact that she could not obtain a magazine assignment
to write about DDT is indicative of how heretical and controversial
her views on the subject must have seemed. Having already amassed a
large quantity of research on the subject, however, Carson decided
to go ahead and tackle the DDT issue in a book.
Silent Spring took Carson four years to complete. It
meticulously described how DDT entered the food chain and
accumulated in the fatty tissues of animals, including human beings,
and caused cancer and genetic damage. A single application on a
crop, she wrote, killed insects for weeks and months, and not only
the targeted insects but countless more, and remained toxic in the
environment even after it was diluted by rainwater. Carson concluded
that DDT and other pesticides had irrevocably harmed birds and
animals and had contaminated the entire world food supply. The
book's most haunting and famous chapter, "A Fable for Tomorrow,"
depicted a nameless American town where all life -- from fish to
birds to apple blossoms to human children -- had been "silenced" by
the insidious effects of DDT.
First serialized in The New Yorker in June 1962, the book
alarmed readers across America and, not surprisingly, brought a howl
of indignation from the chemical industry. "If man were to
faithfully follow the teachings of Miss Carson," complained an
executive of the American Cyanamid Company, "we would return to the
Dark Ages, and the insects and diseases and vermin would once again
inherit the earth." Monsanto published and distributed 5,000 copies
of a brochure parodying Silent Spring entitled "The Desolate
Year," relating the devastation and inconvenience of a world where
famine, disease, and insects ran amuck because chemical pesticides
had been banned. Some of the attacks were more personal, questioning
Carson's integrity and even her sanity.
Vindication
Her careful preparation, however, had paid off. Anticipating the
reaction of the chemical industry, she had compiled Silent
Spring as one would a lawyer's brief, with no fewer than 55
pages of notes and a list of experts who had read and approved the
manuscript. Many eminent scientists rose to her defense, and when
President John F. Kennedy ordered the President's Science Advisory
Committee to examine the issues the book raised, its report
thoroughly vindicated both Silent Spring and its author. As a
result, DDT came under much closer government supervision and was
eventually banned. The public debate moved quickly from
whether pesticides were dangerous to which pesticides
were dangerous, and the burden of proof shifted from the opponents
of unrestrained pesticide use to the chemicals' manufacturers.
The most important legacy of Silent Spring, though, was a
new public awareness that nature was vulnerable to human
intervention. Rachel Carson had made a radical proposal: that, at
times, technological progress is so fundamentally at odds with
natural processes that it must be curtailed. Conservation had never
raised much broad public interest, for few people really worried
about the disappearance of wilderness. But the threats Carson had
outlined -- the contamination of the food chain, cancer, genetic
damage, the deaths of entire species -- were too frightening to
ignore. For the first time, the need to regulate industry in order
to protect the environment became widely accepted, and
environmentalism was born.
Carson was well aware of the larger implications of her work.
Appearing on a CBS documentary about Silent Spring shortly
before her death from breast cancer in 1964, she remarked, "Man's
attitude toward nature is today critically important simply because
we have now acquired a fateful power to alter and destroy nature.
But man is a part of nature, and his war against nature is
inevitably a war against himself…[We are] challenged as mankind has
never been challenged before to prove our maturity and our mastery,
not of nature, but of ourselves."
One of the landmark books of the 20th century, Silent
Spring's message resonates loudly today, even 35 years after its
publication. And equally inspiring is the example of Rachel Carson
herself. Against overwhelming difficulties and adversity, but
motivated by her unabashed love of nature, she rose like a gladiator
in its defense.
last revised 4.16.97